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genre=Drama
directed by=Ben Cookson
Actor=Thomas Kretschmann
movie Info=During the harrows of WWII, Jo, a young shepherd along with the help of the widow Horcada, helps to smuggle Jewish children across the border from southern France into Spain
country=UK, Belgium
rating=69 vote
Looking Waiting for Anya. Watch Movie Watch Online Vidbull "hd"OnLinE"free download in hindi 720p #WaitingforAnya For Online Full HD. Waiting for Anya Summary & Study Guide includes comprehensive information and analysis to help you understand the book. This study guide contains the following sections: This detailed literature summary also contains Topics for Discussion and a Free Quiz on Waiting for Anya by Michael Morpurgo. Waiting for Anya is a novel by children's author Michael Morpurgo. This novel is about a small village in France that is invaded by German forces during World War II. The so-called Black Widow of the village, Madame Horcada, lives alone outside the village on her small farm. Everyone ignores her and is afraid of her. However, Jo discovers that Madame Horcada, with the help of her son-in-law, is offering protection to Jewish children who are attempting to escape over the border into Spain. This novel is not only a story of the heroes and enemies of history, but is also an inspiring story of how one village came together to do the right thing. Jo falls asleep while watching the family sheep, allowing a starving mother bear to get too close to the sheep. Jo runs into town for help and the men who remain, those who could not fight in the war, rush into the mountains to kill the bear. When they return, the men are triumphant, but Jo worries over the safety of his dog, Rouf. Jo goes into the mountain to find his dog and is shocked to discover Rouf has found a bear cub abandoned by the hunted mother bear. Not only this, but there is a man, a stranger to Jo, who has come to rescue the bear. The man asks Jo to forget he ever saw him, but Jo cannot resist finding out who he is. Jo and Rouf follow the man to Madame Horcada's farm. Madame Horcada is a lone figure in this village of companions, an oddity that many of the children fear. Jo is aware of this fear as he peeks inside the kitchen window of her house, attempting to learn who the man is. Just before Jo falls and gives away his presence, Jo learns the man is Benjamin, Madame Horcada's son-in-law. Jo returns to Madame Horcada's farm more than a month later, curious to learn the fate of the abandoned bear cub. Jo sneaks into the barn when he hears a noise, but instead of finding a bear cub, he finds a little girl. Benjamin catches Jo there and takes him into the house, where Benjamin and Madame Horcada tell him that the girl in the barn, Leah, is a Jew who is the sole survivor of her family. Benjamin explains about the atrocity being acted out against Jews in Germany and how he and his daughter, Anya, thought they were safe in Paris. When the Germans invaded Paris, Benjamin and Anya attempted to escape and were separated on the road. Benjamin has come to Madame Horcada's to wait for his daughter. While he waits, Benjamin plans to help as many Jewish children as he can escape into Spain. Jo agrees to keep Madame Horcada and Benjamin's secret. However, when he returns to the village, Jo learns that a regiment of German soldiers plan to move into the village so that they can easily patrol the nearby border with Spain. Jo waits until the following day to tell Madame Horcada, but when he arrives he learns that Benjamin attempted to take Leah across the border the night before and has failed to return. Jo finds Benjamin and Leah in the shed behind his father's shepherds' cottage in the mountains. Benjamin broke his ankle while attempting to run from a German patrol. Jo helps Benjamin and Leah return to Madame Horcada's farm. Over the next few months, Benjamin slowly heals and more children arrive. By the end of winter, Madame Horcada is attempting to care for a dozen children. Jo takes a job delivering food to Madame Horcada. One day, Madame Horcada asks Jo to ask his grandfather to buy her pigs from her. When his grandfather visits Madame Horcada, the man learns about the children and insists on helping. Grandfather creates a haven for the children in a cave in the mountains, successfully hiding them from the Germans. Jo's father returns unexpectedly from the war, angry and sullen. One day Jo's grandfather tells him about the children on Madame Horcada's farm. Together they devise a plan to sneak the children to Spain in front of the Germans. They decide to drive all the sheep in the village into the mountains and to hide the children in plain sight, pretending they are members of the various village families. The plan works, but unfortunately, Benjamin and Leah are caught after sneaking the children into Spain that night. Leah and Benjamin are sent to a concentration camp where it is presumed they were killed. The war ends shortly thereafter. Grandfather marries Madame Horcada. Jo takes on more responsibility around the home, taking the sheep into the mountains alone the following spring. One day, his family comes up to have a picnic. Jo learns that Anya has finally found her way home.
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Nell Minow February 7, 2020 "Waiting for Anya" begins with a helpful explanation of what was going on in 1942, the first indicator that the target audience may be those who have not yet learned some basic history about WWII. It is not the last. The film is based on a popular YA book by Michael Morpurgo, author of The War Horse, and it is inspired by French villagers who rescued Jewish children from the Nazis by smuggling them over the mountains into Spain. Despite the obvious sincerity of the filmmakers, the best efforts of Jean Reno and Anjelica Huston, and some lovely scenery, it remains overly didactic, talking down to even the middle school audience it is aimed at. Advertisement An old man ( Jean-François Balmer) serves as off-screen narrator, describing his life as a young shepherd in occupied France. In 1942 the Nazis had not yet reached the southern part of the country, bordering on Spain, so much of life continued as usual. But the war had already touched the village. A boy named Jo ( Stranger Things' Noah Schnapp) has a lot of new responsibilities because his father left to fight for France and is now in a German POW camp. Jo's grandfather (Reno) has warned him to stay awake while watching the sheep, but. METAPHOR ALERT- Jo dozes off, only to be awakened by a bear approaching the flock. Jo runs to tell the village, and a group of men go after the bear and kill it, toasting Jo for sounding the alarm. But Jo's grandfather suggests that he should not have left the sheep. And, in the film's best scene, the incident is reframed the next day when Jo goes into the woods looking for his sheepdog and sees a stranger who tells him that the bear was a mother trying to protect her now-orphaned cub. Now, he says, either he or Jo will have to take responsibility for the cub. The stranger takes the cub with him without telling Jo his name. The man, Jo will eventually discover, is Benjamin ( Frederick Schmidt) a Jew hiding out with his mother-in-law (Huston) a grumpy widow who lives on a remote farm. He is waiting there in hopes that his daughter Anya will find him there. He has not seen her since he desperately thrust her into a bus as he was escaping a Nazi transport to a concentration camp. While he waits, he is helping other Jewish children escape over the mountain. Jo promises to help, too. And then, the Nazis arrive and take over the town, searching everywhere for anyone who may be hiding anything. One German officer ( Thomas Kretschmann) is less harsh, especially after his own daughter is killed in Berlin by an Allied bombing raid. He tries to be kind to Jo and his developmentally disabled friend Hubert (Declan Cole) taking them into the mountains to look for eagles, to make the war seem far away. But tensions are high and it is imperative to get the remaining children out of harm's way before they are discovered. As the era of the Holocaust moves beyond the time of living memory, the struggle to understand and communicate what happened becomes even more difficult. That is even more complicated when it comes to explaining the history to young people in a manner that is accessible enough for them to understand and honest enough to be meaningful. A much better way to begin to communicate one of the most unthinkable horrors of the 20th century and remind us that civilized people can be responsible for atrocities is to show them films like "Paperclips. The Number on Great-Grandpa's Arm. or "The Diary of Anne Frank. " Those already familiar with the basics of history may find it adds nothing new to see this films opening moments with terrified Jews wearing yellow stars herded into trains, a baby crying, a woman screaming, and a sad violin on the soundtrack. For middle schoolers, who may never have been exposed to these images, the film may be educational about such horrors. But “Waiting for Anya” remains thin, sugary, and over-simplified. Reveal Comments comments powered by.
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As the old adage goes, “never judge a book by its cover. ” Initially, Waiting for Anya is an unassuming piece that seems to tread the same well-worn path as other World War II films. However, in that inconspicuous package is an absolutely lovely surprise. Waiting for Anya is so beautifully put together and so emotionally executed that it hits you like a gust on a windy day. A truly unexpected, but excellent pleasure. Waiting for Anya is adapted from the novel by the same name, written by War Horse author Michael Morpurgo. The film follows a young shepherd boy named Jo, played by Noah Schnapp ( Stranger Things) who helps a reclusive village widow smuggle Jewish children out of Nazi-occupied France into the safety of Spain. The film also stars Anjelica Huston ( The Witches, The Addams Family) and Jean Reno. Waiting for Anya is helmed by writer and director Ben Cookson. “A Good Shepherd Lays Down His Life for His Sheep” At its core, Waiting for Anya is an exploration of humanity. It is about a young boys search for dignity and purpose, and his finding incredible courage along the way. There are some experiences that speak to the very core of our selves. These are the moments when we are braver than we ever imagined and driven by the understanding that our humanity and the humanity of others is worth dying for. source: Vertical Entertainment “A good shepherd lays down his life for his sheep. ” Within this line lies the thesis statement of the entire film. Our young Jo learns this lesson and it is what helps him to grow from a frightened child to a young man with dignity and great bravery. Waiting for Anya deftly treads the thin lines between what is good and what is evil. It calls into question how we process our guilt or our innocence. It is a remarkably hopeful piece that is absolutely saturated in human emotion. From the screenwriting to the nuance of the performances, the full spectrum of the human soul is on raw display and beautifully so. A Pastoral Picture To put it very plainly, Waiting for Anya is a gorgeous film. The mountain landscape almost takes on its own character, as both the walls to a prison and the gateway to freedom. Within this rugged setting, deeds are hidden and experiences shape young boys into men. Atop the idyllic scenery, a lilting score. The films setting of a quaint French village, dotted with pastures of grazing sheep is deceitfully pastoral. It feels like the sort of place where nothing bad could ever happen and, yet, we see that warm and inviting façade slowly poisoned by the presence of Nazi troops. The styling of Waiting for Anya is quite classical and literary works like Thoreaus Walden instantly spring to mind when taking it in. A Story of Humanity Must Be Built on People Its hardly a surprise that World War II and the atrocities of the Holocaust are depicted on-screen over and over. The tragedy speaks to something very deep within every viewer: sometimes in the form of memory or legacy, or simply as one of those cosmic emotional weights that we will carry for the rest of our existence. These stories of bravery and decency are the stories of the very best of us. As I said, at the outset, Waiting for Anya is a piece about humanity and what would a deeply human piece be without fantastic performances? Noah Schnapp has already impressed audiences over and over again with his emotional intelligence and mature acting instincts. Waiting for Anya is an ideal showcase of what this young actor can do. Its impressive to watch him work and to contain the multitudes of innocence and aging within a single performance. Anjelica Huston is always a joy and the stern, fiery Horcada is a perfect role for her. These two are absolutely carrying the film, but they make it look effortless. Waiting for Anya (2020) – source: Vertical Entertainment These great performances are only bolstered by the wonderful script. The storytelling is so deeply grounded and sincere. It pulls you into the heart and soul of the village. Whether by design or good fortune, Waiting for Anya achieves that sense of community. It feels like the people you know. It feels like your own home. You feel the weight of the consequences. That is difficult to pull off and wonderful to see in a film, so early in the year. Waiting for Anya: Conclusion Waiting for Anya is more than just the beauty of its cinematography. It has a beating heart and the seductive ability to pull you in. This is not one to miss. What is your favorite WWII movie? Let us know in the comments! Waiting for Anya will arrive in theaters, on-demand, and digital on February 7th. Opinions expressed in our articles are those of the authors and not of the Film Inquiry magazine. Affiliate disclosure: Our articles contain affiliate links. If you choose to buy something through any of these links, we may earn referral fees, without any extra cost to you. Thanks for your support.
Waiting for Anya by Michael Morpurgo Open Preview See a Problem? Wed love your help. Let us know whats wrong with this preview of Waiting for Anya by Michael Morpurgo. Thanks for telling us about the problem. 1, 336 ratings 112 reviews Start your review of Waiting for Anya Aug 12, 2017 Laura rated it it was amazing A touching story written in a deceptively simple manner. A must read for both young and old! This is the story of Jewish children escaping from Poland and trying to cross the border into Spain while hiding from the German army during WW2. It is the story of a little boy and his family who risk everything to help. As a realistic description of a little bit of history, this little book tugs at your heartstrings and shows you compassion and the best traits of humanity in the middle of a German A touching story written in a deceptively simple manner. As a realistic description of a little bit of history, this little book tugs at your heartstrings and shows you compassion and the best traits of humanity in the middle of a German occupied country. It is heartbreaking and uplifting at the same time and I loved every bit of it... Dec 20, 2017 Meggan Turner really liked it Emotional, moving and Michael Morpurgo at his finest Emotional, moving and Michael Morpurgo at his finest ♥ ♥... Feb 24, 2013 Emilie Bonnie Michael Morpurgo writes about difficult times in the past and in the present, and although his writing is aimed at children they are very powerful, realistic and likely to bring a tear or two to your eyes. ‘Waiting for Anya is no exception, set in a French village next to the Spanish boarder when World War II was rife and German soldiers made their presence known by their constant patrolling around the village and mountains. A young boy called Jo, experiences a heroic journey when he discovers Michael Morpurgo writes about difficult times in the past and in the present, and although his writing is aimed at children they are very powerful, realistic and likely to bring a tear or two to your eyes. A young boy called Jo, experiences a heroic journey when he discovers some hidden Jewish children waiting to cross the boarder to Spain and to safety. Through this journey Jo has to be trusting, keep big secrets, deal with guilt, learn the heartache of loss and most of all be brave and strong for the Jewish children. All along learning how kind the unlikeliest of person can be and just how cruel the human race can unfortunately sometimes be. Waiting for Anya is best suited for upper KS2, a great story to read if studying World War II. It offers an interesting perspective of the war and shows how people were effected in different ways and the lengths that people, no matter their age were willing to go to to help others. Waiting for Anya would create some indepth discussions for the children, forming their own opinions of the main events and also to compare the story to their own lives. Morpurgo seems to have a lovely knack to encourage this type of thinking. This will certainly not be the last Morpurgo book that I will be reading... Feb 22, 2015 Rose REALLY worth reading! Not normally the type of book that I am drawn to and usually enjoy, but this book is so good that it didn't matter. I believe most people would enjoy it. V emotional, so make sure you stock up on the tissues... don't read it on pubic transport. Read this to see if our kids would be old enough to begin on Michael Morpugo's books and actually thoroughly enjoyed it myself. Very real characters and a very moving story. Didn't want to put it down. Apr 09, 2011 L. H. Johnson I love Michael Morpurgo. He writes in a very stark, deceptively simple manner which belies the skill behind his work. The ending of this left me feeling physically winded. Amazing writer. This is no exception. Sep 20, 2012 Colin Luker Good well written story just as suitable for adults as for teesting story that keeps your attention to the end. Just what you would expect from Michael recommended. Nov 02, 2012 Senshaye Michael Morpurgo weaves a wonderful tale, though I found this story particularly sad [you'll find out why after reading this book. He never fails to make me cry. This was AMAZING. I loved the story and the. I'll try to write without spoilers. I loved every single second of it and am left in its solemn wake. Mar 12, 2012 Gary A cracking and realistic tale of occupied France during WWII. Loved it. Favourite part: his ability of build curiosity in the reader. I read this in Year 5 and, whilst I don't remember all of it, I do remember that I thought it very sad and that, as a nine/ten year old, I was touched by the story. May 20, 2013 Molly liked it Saw the author speak. He was a great speaker. I liked him better in person! But this was a solid historical fiction book for kids. WWII. Nov 19, 2007 Elah Horwitz Waiting for Anya is about the time through the holocaust in a small town in France. It is about a young boy, name Joe and how his courage grows. Sep 04, 2019 Henrietta Set in a French village in the Second World War, a shepherd named Jo befriends a Jew named Benjamin who is waiting to be reunited with his daughter, Anya, after they were split up from one another. Jo agrees to help Benjamin as German soldier descend on the town. Sadly, Benjamin is caught by the German soldiers and is never reunited with Anya, who returns to the village too late. Not only is this book informative in relation to WWII, the book is extremely thought provoking and gripping. The Set in a French village in the Second World War, a shepherd named Jo befriends a Jew named Benjamin who is waiting to be reunited with his daughter, Anya, after they were split up from one another. The reader is confronted with both heart warming and extremely unhappy scenarios, demanding a range of emotions to be felt. From the start, the book is extremely descriptive and captivating. The book is suitable for both KS2 and 3 readers both individually or together in class... Feb 03, 2018 Spencer Riehl Wonderful story with real characters. This is a simple story, but the village embodies a certain mythic and nostalgic past that I dont want to move to, but plays effectively on my heart strings. I have no doubt that stories like these played themselves out all across occupied Europe and beyond. Theres a depth to this book that your child will realize if he or she chooses to re-read this in adulthood. Read for school. Writing felt robotic and uncreative, plot rarely kept me interested, and characters were, with a few exceptions, pretty generic and unemotional. The very beginning and very end were alright, and the characters of Leah, Michael, and Widow Horcada are probably what saved this book for a lower grading. Feb 09, 2019 Fajr This book was so heart warming! I loved it. Seriously Morpurgo rocks. I have no idea how he comes with such amazing plots! I cried a lot in this book (thats a good thing) I really recommend it to everyone Wow this book is so good I liked this book because it was sad yet happy I choose this rating because the he describes everywhere so well you think you are there and he describes the Chas so you think young them. I loved this book. Wow. Wow this book is so good 👍 I liked this book because it was sad yet happy 😁 I choose this rating because the he describes everywhere so well you think you are there and he describes the Chas so you think young them. Wow. 😁😁😁😁😁😁... Aug 18, 2019 C A decent enough children's book about World War II and the occupation of a small town by German soldiers. But I feel like at the end, they didn't want to say what happened to some of the characters so they took it out on another one. This was a very good book. I think everyone, especially kids should read it. Sep 04, 2017 Anna It was a fantastic read! Very realistic. *Spoiler alert* I wish Hubert hadnt died, he was my favorite character. Dec 31, 2018 Fern Adams A brilliant book to end a year of reading on. This has been sitting on my bookshelf for many years and I finally got round to reading it, I wish I had got round to it sooner. Amazing, Fantastic, love and kindness i just generally love reading ww2 fiction books. Aug 15, 2019 Ceri Great read. Perfectly written and in such an emotive away. Loved reading about a different aspect of the war from the vantage point of a child. Highly recommended A nice little Morpurgo story. It brought a tear to my eye. He's one of my fave authors. An emotional and very touching book greatly written by Michael Morpurgo. Sir Michael Andrew Morpurgo, OBE, FRSL is the author of many books for children, five of which have been made into films. He also writes his own screenplays and libretti for opera. Born in St Albans, Hertfordshire, in 1943, he was evacuated to Cumberland during the last years of the Second World War, then returned to London, moving later to Essex. After a brief and unsuccessful spell in the army, Sir Michael Andrew Morpurgo, OBE, FRSL is the author of many books for children, five of which have been made into films. After a brief and unsuccessful spell in the army, he took up teaching and started to write. He left teaching after ten years in order to set up 'Farms for City Children' with his wife. They have three farms in Devon, Wales and Gloucestershire, open to inner city school children who come to stay and work with the animals. In 1999 this work was publicly recognised when he and his wife were invested a Member of the Order of the British Empire (MBE) for services to youth. In 2003, he was advanced to an Officer of the Order of the British Empire (OBE. He became a Fellow of the Royal Society of Literature (FRSL) in 2004. He was knighted in the 2018 for his services to literature and charity. He is also a father and grandfather, so children have always played a large part in his life. Every year he and his family spend time in the Scilly Isles, the setting for three of his books... Welcome back. Just a moment while we sign you in to your Goodreads account.
Movies, ‘Waiting for Anya Review: Saving Jews as a Rite of Passage A boy in Occupied France, with eyes wide open, must choose what to say about what he sees. Credit. Vertical Entertainment Waiting for Anya Directed by Ben Cookson Drama, War 1h 49m Debates persist about the appropriate ways to depict World War II onscreen, but “stodgily familiar, ” which describes “Waiting for Anya, ” is probably not the most historically sensitive mode. This childs-eye view of Occupied France is set in a village in the Pyrenees, where, at the outset, Jo (Noah Schnapp) a shepherds son, spots a bear and alerts adults. The bear, a mother, is killed (the better to be used as a metaphor. Soon after, Jo discovers that at a nearby farm, a woman (Anjelica Huston) is hiding a Jewish man (Frederick Schmidt) and a growing number of children. His ability to keep that secret, even while he goes eagle-watching with a Nazi corporal (Thomas Kretschmann) is a test of mettle. “Waiting for Anya” is not so sentimental that it imagines every character can escape death. But it has little use for complexity. If there are Nazi collaborators among the French here, for instance, they dont have notable speaking parts. And making the most prominent German officer sympathetic to saving Jewish children avoids reckoning with the depths of the Third Reichs evils. Based on a novel by Michael Morpugo (author of “War Horse”) this film suffers from other deficits of verisimilitude. Characters speak English with such strong accents its odd that the director, Ben Cookson, didnt opt for French and German. And as harrowing as Jos ordeal may be, the movie doesnt fail to provide the obligatory uplift. Waiting for Anya Not rated. Running time: 1 hour 49 minutes.
Anjelica Huston, Jean Reno and Noah Schnapp of 'Stranger Things' appear in Ben Cookson's World War II-set thriller based on a YA novel by 'War Horse' author Michael Morpurgo. Holocaust-themed films geared to younger audiences inevitably have a certain defanged quality. It's the inevitable trade-off for softening the horrors attendant to the subject matter, and there's something to be said for making the historical period more accessible to viewers who may not be familiar with it. Unfortunately, the approach can also result in blandness, which is the main problem afflicting Ben Cookson's screen adaptation of British author Michael Morpurgo's 1990 children's book. Despite its laudable intentions, Waiting for Anya proves less impactful than it should be. The film certainly doesn't have the thematic weight of War Horse, another film (and acclaimed stage play) based on a war-themed book by Morpurgo that was geared to young readers. There's certainly an arresting story at the pic's center. Set in 1942 in the French Pyrenees, it concerns Jo (Noah Schnapp, displaying the same strong presence as he does in Netflix's Stranger Things) a teenage shepherd who spends much of his time in the mountains attending to his grandfather Henri's (Jean Reno) sheep. One day, after narrowly avoiding a possibly fatal encounter with a bear, Jo runs into the mysterious Benjamin (Frederick Schmidt. It turns out that Benjamin, a Jew, had escaped with his young daughter Anya from a train bound for a concentration camp, after which they were unfortunately separated. Now, he hides in the woods, helping to smuggle Jewish children to safety in Spain with the help of his elderly widowed mother-in-law Horcada (Angelica Huston) and desperately hoping to be reunited with Anya. Although the area in southern France is technically not under Nazi occupation, there are many of them around and they are obviously up to no good. Or at least one of them isn't, since we're presented with one very bad Nazi in the form of a sneering, vicious lieutenant (Tomas Lemarquis) and one pretty good Nazi in the form of a kindly corporal (Thomas Kretschmann) who befriends Jo and talks longingly of returning home to his wife and daughters after the war. The contrast between the two men seems too simplistically drawn. Yes, there were some Nazis who were no doubt decent men, but you get the feeling here that the movie simply wanted to be fair and balanced. Wanting to help Benjamin and Horcada in their noble efforts, Jo gets involved despite the dangers. His contribution consists largely of making trips to the village to procure groceries and medicine for the children being hidden in Horcada's barn, and ironically is helped at one point by the corporal who offers to carry the heavy bag. Meanwhile, the lieutenant becomes increasingly suspicious of the villagers' activities. The frequent presence of a mentally impaired classmate of Jo's who antagonizes the Nazis only adds to the danger of the situation. Director/co-screenwriter Cookson ( Almost Married) proves unable to wrest much sustained tension from the scenario, indulging in too many subplots and minor characters and letting the pacing lag. Despite the fine efforts of the ensemble that includes such solid veterans as Huston (her accent, however, proves distracting) Reno and particularly Kretschmann, who brings real shadings to his role as the conflicted colonel, the film never overcomes its air of staidness. Waiting for Anya boasts handsome visuals, with cinematographer Gerry Vasbenter wasting no opportunities to employ drones to capture the beauty of its setting (the pic was shot on location in the Pyrenees. But even that quality ironically works against it; the aerial shots of the mountain scenery look so gorgeous you keep waiting for Julie Andrews to appear, twirling and singing "The Sound of Music. Presumably, that's not the effect the filmmakers were hoping for. Production companies: Goldfinch Studios, T&B Media Global, 13 Films, Artemis Production Distributor: Vertical Entertainment Cast: Noah Schnapp, Anjelica Huston, Sadi Frost, Jean Reno, Nicolas Rowe, Thomas Kretschmann, Frederick Schmidt, Gilles Marini, Tomas Lemarquis, Elsa Zylberstein, Josephine de la Baume Director: Ben Cookson Screenwriters: Toby Torlesse, Ben Cookson Producers: Alan Latham Phin Glynn Executive producers: Kirsty Bell, Geoffrey Iles, Phil McKenzie, Tannaz Anisi, Gregory R. Schenz, Jwanwat Ahriyavraromp, Bhakbhume Tanta-Nanta, Ekkasitha Chalermrattawongz, Pornsuree Thienbunlertrat, Alastair Burlingham, Paul Ward, Raj Awasti Director of photography: Gerry Vasbenter Production designer: Laurence Brenguier Editors: Chris Gill, Sandrine Deegan Composer: James Seymour Brett Costume designer: Agnes Noden Casting: Shannon Makhanian 109 minutes.
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Edit Waiting for Anya (2020) See agents for this cast & crew Directed by Ben Cookson Writing Credits Ben Cookson... (screenplay) Michael Morpurgo... (novel) Toby Torlesse... (adaptation) Cast Anjelica Huston... Horcada Jean Reno... Henri Thomas Kretschmann... Korporal Sadie Frost... Madame Jollet Noah Schnapp... Jo Nicholas Rowe... The Mayor Gilles Marini... Papa Frederick Schmidt... Benjamin Tómas Lemarquis... Leutnant Joséphine de La Baume... Madame Elsa Zylberstein... Maman William Abadie... Father Lasalle Urs Rechn... Hans Raj Awasti... French villager Jean-François Balmer... Narrator Lukas Sauer... Declan Cole... Hubert Kevin Kain... L'homme gros et stupide Nathan Lea Produced by Jwanwat Ahriyavraromp... executive producer Tannaz Anisi... associate producer Kirsty Bell... John Bernard... line producer France Adam Betteridge... Alastair Burlingham... Ekkasitha Chalermrattawongz... Phin Glynn... producer Harriet Hammond... line producer: uk Julian Hicks... Geoffrey Iles... Alan Latham... Ross Marian... Phil McKenzie... Stephen Naulls... Patrick Quinet... co-producer Greg Schenz... Daz Spencer-Lovesey... Pornsuree Thienbunlertrat... Paul Ward... Music by James Seymour Brett Cinematography by Gerry Vasbenter Film Editing by Chris Gill Casting By Shannon Makhanian Production Design by Laurence Brenguier Art Direction by Philippe Cabrie Set Decoration by Jacq Eric Costume Design by Agnès Noden... wardrobe and costume designer Makeup Department Helen Chesworth... makeup artist Kate Cox... hair and makeup trainee Frances Hounsom... makeup and hair designer Abi Lilley... Sarah Jane Marks... makeup supervisor Production Management Maxime Couteret... unit production manager Kate Wright... post-production supervisor Second Unit Director or Assistant Director Nicolas Baldino... second unit Tom Beacham... key second assistant director Blandine Grimaldi... second second assistant director Catherine Kerr-Phillips... third assistant director: crowd Jordan Kotras... first assistant director Jon Midlane... first assistant director (as Jonathan Midlane) Brendon O'Loughlin... second unit director Bruno Tormos... Base PA Art Department Christophe Graziani... ripper Ludovic Jardiné... assistant property master Sound Department Aris Anastassopoulos... production sound mixer (as George Aris Anastassopoulos) Nick Baldock... adr mixer Peter Baldock... supervising sound editor Olivia Celeste Barry... sound editor Ben Carr... re-recording mixer Greg Crawford... adr mixer: Atlanta Fred Englefield... head of audio Marek Forreiter... dialogue editor Adrian Furdui... adr supervisor Aline Gavroy... foley sound engineer Simon Gershon... Sound Designer Rory Hammond... 2nd Assistant Sound Josh Heilbronner... adr mixer: New York Thomas Holroyd... assistant sound editor Vincent Maloumian... foley artist James Matthews... foley editor Kian McClure... 1st assistant sound Tanay Nambiar... foley mixer Patrick Singer... Jonathan Smith... sound effects editor Kristiana Udre... Visual Effects by Tim Gathercole... CG Artist Stephen Grimes... compositor Andrew Jones... cg supervisor Ari Levinson... visual effects supervisor: leonid studios Ben Lilley... digital compositor Ben Louden... visual effects supervisor (as Benjamin Louden) John R. McConnell... senior compositor: Caffeinated Mice VFX Richard Van De Steenoven... Alejandro Orjuela Álvarez... visual effects artist Stunts Maxime Demba... stunts Elaine Ford... stunt coordinator Pablo Verdejo... nathan lea Camera and Electrical Department Antony Allen... gaffer Denis Antheunissens... electrician Gauthier Berlaimont... lighting technician Adrien Brauge... camera trainee dailies Clare Connor... first assistant camera: b camera Nicolas Dufay... additional electrician Eamonn Fitzgerald... Best Boy Ben Gadsden... second assistant camera: b" camera Rebecca Horsburgh... key grip Henriette Kristine Jacobsen... camera trainee Dora Krolikowska... first assistant camera: A camera Clare Seymour... second assistant camera: a" camera Paul Stephenson... still photographer Duncan Steven... b camera: 2nd unit grip Edwin Van Den Hove... rigging grip Casting Department Claire Bleasdale... casting associate Nathalie Camidebach... extras casting Catherine Deserbais... casting: children Costume and Wardrobe Department Camille Ballouhey... set costumer Stéphanie Boissard... wardrobe Lindy Gander... assistant costume designer Céline Sathal... Editorial Department Susumu Asano... on-line editor Nigel Bunyan... first assistant editor Bertrand Conard... Nina Haditalab... assistant editor Adam Shell... colourist / dailies colourist Matthew Wingad... Location Management Magali Laulhère... assistant location manager Olivier Martin... location manager Ronan Michel... Music Department Liam McMellon... music supervisor Steve McMellon... Executive Music Producer / musical director George Stroud... Music Production Assistant Laurence Ungless... musician: double bass Script and Continuity Department Julie Hill... script clearances Charles Savage... script editor Nua Watford... script supervisor Transportation Department Sylvain Mouveau... cast driver Olivier Suffert... driver: cast Other crew Emmanuelle Balestrieri... production accountant Nancy Bressolles... production coordinator Cécile Commarieu... director's personnal assistant Flavie de Langautier... production assistant Rebecca Gausnell... dialect coach: Noah Schnapp Patrick Gillespie... floor runner Victor Glynn... Executive Producer Paul Hillier... insurance Rabia Kassam... assistant accountant/production secretary Keith Kehoe... Head of Development: Goldfinch Studios Jaewoo Kim... executive director: International Sales Carl 'Rocky' Mason... security coordinator uk: eso security Grégoire Mouveau... unit manager: France Jessica Phelps... studio teacher Sarah Poole... Investment Manager See also Release Dates, Official Sites Company Credits Filming & Production Technical Specs Getting Started Contributor Zone » Contribute to This Page ad feedback Details Full Cast and Crew Storyline Taglines Plot Summary Synopsis Plot Keywords Parents Guide Did You Know? 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Starring: Anjelica Huston, Elsa Zylberstein, Frederick Schmidt, Gilles Marini, Jean Reno, Joséphine de La Baume, Nicholas Rowe, Noah Schnapp, Sadie Frost, Thomas Kretschmann, Tómas Lemarquis Summary: Adapted from the novel by the author of War Horse, Waiting for Anya follows Jo Lalande (Noah Schnapp) a thirteen-year-old shepherd boy, and reclusive widow Horcada (Anjelica Huston) who come together with their village to help smuggle Jewish children into Spain during the harrows of WWII. Genre(s) Drama, Thriller, War Rating: Not Rated Runtime: 109 min Buy On.
Waiting for Anya, 2020. Directed by Ben Cookson. Starring Anjelica Huston, Jean Reno, Thomas Kretschmann, Sadie Frost, Noah Schnapp, Elsa Zylberstein, Urs Rechn, Lukas Sauer, Tómas Lemarquis, Nicholas Rowe, Gilles Marini. Joséphine de La Baume, William Abadie, Jean-François Balmer, and Frederick Schmidt. SYNOPSIS: During the harrows of WWII, Jo, a young shepherd along with the help of the widow Horcada, helps to smuggle Jewish children across the border from southern France into Spain. For anyone that thought the recently released and Best Picture nominated Jojo Rabbit was too silly, satirical, and tonally offputting to fully invest in as a look at young children and their efforts to understand World War II and the line of hateful thinking by Nazis, co-writer and director Ben Cooksons Waiting for Anya (its based on the novel of the same name which was also written by War Horse author Michael Morpurgo, which in turn got adopted by Steven Spielberg and nominated for a bunch of Oscars) is the formula-driven standard book adaptation that hits all the tried-and-true dramatic notes of hiding Jews and smuggling them to a safer place. Waiting for Anya stars Jo ( Stranger Things ‘ Noah Schnapp) as a farm boy and sheepherder living in Nazi-occupied southern France who one day falls asleep on the job and stumbles into a dangerous encounter with a bear. Following his escape and return to the location, he meets Benjamin (Frederick Schmidt) who not only explains that the mama bear was protecting her cub, but offers all-around kind hospitality and the approval to visit the cub whenever he wishes. Its not long before Jo starts exploring the area beyond that and discovers a group of children tucked away in secrecy in a barn. Upon further discussion, which also includes Angelica Hustons mother-in-law to Benjamin named Horcada, Jo realizes that they run an operation transferring the children across the border to Spain so they can live a peaceful life. Benjamin also explains that while he does this out of the good in his heart, he is also hoping that one day one of the children that make their way into his production will be his long daughter Anya (the film opens with a prologue showing many families being separated from their offspring in a sequence that might be a bit too on-the-nose as it relates to modern-day life. Soon after, the Nazis make their way to the village, and while Benjamin and Horcada reside way up in the mountains in isolation to make it easier smuggling these children across the border, their oppressive presence (one that is matched by often gray and bleak visuals that fit the tone) proves to complicate the espionage. No trips are able to be conducted for the time being, so the pair employ Jo as an errand boy that makes a number of food purchases in town and hauls everything back so that the kids have enough to survive. As time goes on, this also comes to include other necessities such as medicines for sick children. Meanwhile, the engagement and flow of this story arc is somewhat disrupted by Jos own home life with his grandfather (strongly played by the legendary Jean Reno, who gets a terrific scene defending and expressing how proud he is of Jo) and making acquaintance with a German corporal (Thomas Kretschmann) seemingly conflicted about his own actions. Elsewhere, Jos father returns as a prisoner of war filled with nothing but contempt and hatred for the Germans, which in turn muddles the complex thoughts that must be going through Jos head, and more intriguingly, thoughts that continue to sway him in favor of the German corporal over his own father who is basically a shell of his former self. Nevertheless, Jo always remains focused on doing the humane thing and helping the children survive so that Benjamin can go on another saintly journey. As one could expect, more mouths to feed come in and the food budget skyrockets. Its not going to be easy to keep eyes off of the mountain home no matter how secluded they are. Its all a well-intentioned and competently told story, but theres little here to really create a dramatic spark. Even when the group decides to take a stand and pull off an operation right in plain sight of the Germans to get the children to Spain, its enacted with not much tension or urgency. Character arcs feel rushed and theres so much going on that the narrative is often kept at a distance from nurturing and protecting the Jewish children. Jo also isnt that fascinating of a character to justify locking the story to his perspective, no matter how logical that may be for adapting the novel (it most likely has more time to develop these individuals. The self-reflective narration doesnt add anything to the character and seems to only be there to detail the obvious. Jean Reno and Angelica Huston give impassioned turns and the tale itself is uplifting, but it all feels rushed and ineffective (especially a side plot with Jos mentally challenged classmate friend. The point is that even if you thought Jojo Rabbit was a swing and a miss, we should be grateful for filmmakers like Taika Waititi approaching World War II with a unique and refreshing voice. Waiting for Anya is not terrible by any means, but no one will blame you for not sticking through the entire movie to see if she returns or not. Flickering Myth Rating – Film: ★ ★ / Movie: ★ ★ Robert Kojder is a member of the Chicago Film Critics Association and the Flickering Myth Reviews Editor. Check here for new reviews, friend me on Facebook, follow my Twitter or Letterboxd, check out my personal non-Flickering Myth affiliated Patreon, or email me at.
Anjelica Huston Actor Anjelica Huston was born on July 8, 1951 in Santa Monica, California, to prima ballerina Enrica "Ricki" Soma) and director and actor John Huston. Her mother, who was from New York, was of Italian descent, and her father had English, Scottish, and Scots-Irish ancestry. Huston spent most of her childhood overseas, in Ireland and England, and in 1969 first dipped her toe into the acting profession, taking a few small roles in her father's movies. However, in that year her mother died in a car accident, at 39, and Huston relocated to the United States, where the tall, exotically beautiful young woman modeled for several years. While modeling, Huston had a few more small film roles, but decided to focus more on movies in the early 1980s. She prepared herself by reaching out to acting coach Peggy Feury and began to get roles. The first notable part was in Bob Rafelson's remake of the classic noir movie The Postman Always Rings Twice (1981) in which Jack Nicholson, with whom Huston was living at the time, was the star. After a few more years of on-again, off-again supporting work, her father perfectly cast her as calculating, imperious Maerose, the daughter of a Mafia don whose love is scorned by a hit man (Nicholson again) in his film adaptation of Richard Condon's Mafia-satire novel Prizzi's Honor (1985. Huston won the Best Supporting Actress Oscar for her performance, making her the first person in Academy Award history to win an Oscar when a parent and a grandparent (her father and grandfather Walter Huston) had also won one. Huston thereafter worked prolifically, including notable roles in Francis Ford Coppola's Gardens of Stone (1987) Barry Sonnenfeld's film versions of the Charles Addams cartoons The Addams Family (1991) and Addams Family Values (1993) in which she portrayed Addams matriarch Morticia, Wes Anderson's The Royal Tenenbaums (2001) and The Life Aquatic with Steve Zissou (2004. Probably her finest performance on-screen, however, was as Lilly, the veteran, iron-willed con artist in Stephen Frears' The Grifters (1990) for which she received another Oscar nomination, this time for Best Actress. A sentimental favorite is her performance as the lead in her father's final film, an adaptation of James Joyce's The Dead (1987. with her many years of residence in Ireland, Huston's Irish accent in the film is authentic. Endowed with her father's great height and personal boldness, and her mother's beauty and aristocratic nose, Huston certainly cuts an imposing figure, and brings great confidence and authority to her performances. She clearly takes her craft seriously and has come into her own as a strong actress, emerging from under the shadow of her father, who passed away in 1987. Huston married the sculptor Robert Graham in 1992. The couple lived in the Los Angeles area before Graham's death in 2008. More.
YouTube. Date Location Tickets 6:00 PM - THU 1/16 REGAL CINEMAS SOUTH BEACH Rush Line Southeast US Premiere Directed by Ben Cookson UK-Belgium, 105 minutes, 2019 Set during the harrows of World War II, Waiting for Anya tells the story of a young shepherd (Noah Schnapp) who, together with his grandfather (Jean Reno) and a widow (Anjelica Huston) help smuggle Jewish children across Nazi-occupied France into Spain. When German soldiers move into town, things become even more dangerous for those involved. They stage one last daring effort to get all of the Jewish children across the border to safety, but if they are caught, it's not only the end for the children, but also for their family. Based on the seminal British novel of the same name by War Horse author Michael Morpurgo, Waiting for Anya features an all-star cast including Academy Award-winner Anjelica Huston, as well as Stranger Things star Noah Schnapp (also in the Festival with Abe) Jean Reno, Elsa Zylberstein, Sadie Frost, and Thomas Kretschmann. Ben Cookson graduated with a First Class Honours degree from Bournemouth University winning the Alan Plater award for scriptwriting. His feature film debut, Almost Married, has received worldwide distribution and was nominated for the National Film Award. Director Ben Cookson Countries of Production UK-Belgium Year of Presentation 2019 Language(s) Premiere Status Runtime 105 minutes Principal Cast Anjelica Huston, Jean Reno, Noah Schnapp, Elsa Zylberstein.
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